Eventos

Kant: Concepts, Imagination, and Aesthetic Appreciation

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Nova University Lisbon

Keynote speaker: Angela Breitenbach (University of Cambridge)

Kant’s requirements for a judgment to become a judgment of taste are often viewed as especially limiting. He has been taken to rule out almost any judgment of beauty that is grounded on concepts or aimed at them. And yet, a number of readings of the Critique of the Power of Judgment suggest that Kant’s aesthetic theory is particularly inclusive. From flowers to representational paintings, and from mathematical demonstrations to moral statements – anything, in principle, can become an object of aesthetic appreciation. A common denominator of such readings of the third Critique is reference to the freedom of imagination: as long as imagination acts freely and moves in a free play, then aesthetic appreciation is possible. This is despite the involvement of concepts – or indeed, some commentators even claim that this is due to the participation of concepts. ?It is the main aim of this conference to consider arguments in favor and against the possibility of aesthetic appreciation which takes concepts into account.

Download the programme here.

To join the sessions on Zoom, use this link.

kantimagination.weebly.com

Organisers

João Lemos, Nova University Lisbon
Rachel Siow Robertson, University of Cambridge / The Faraday Institute for Science and Religion
António Marques, Nova University Lisbon

Institutions

IFILNOVA (EPLab, Kant Reading Group)
NOVA FCSH
FCT – Fundação para a Ciência e a Tecnologia

Programme

04/04/2022

09:00 – 09:30

Opening remarks

João Constâncio (Director of IFILNOVA), António Marques, João Lemos, and Rachel Siow Robertson

09:30 – 11:00

Keynote Lecture: Angela Breitenbach (University of Cambridge), ‘Aesthetics and cognition in Kant’

09:30 – 10:15 Lecture

10:15 – 11:00 Discussion (Chair: João Lemos)

11:30 – 11:15

Break

11:15 – 12:45

Session One

11:15 – 11:45 Selda Salman (Istanbul Kultur University), ‘Conceptual and nonconceptual contents and the fate of the imagination’

11:45 – 12:15 Robert Clewis (Gwynedd Mercy University), ‘How to Distinguish and Reconcile Sensitive and Conceptual Taste’

12:15 – 12:45 Discussion (Chair: Rachel Siow Robertson)

12:45 – 14:00

Lunch

14:00 – 15:30

Session Two

14:00 – 14:30 Luigi Filieri (Johannes Gutenberg-Universität Mainz), ‘The Free Lawfulness of Kant’s Aesthetic Schematism’

14:30 – 15:00 Senthuran Bhuvanendra (University of Cambridge), ‘Exercising free lawful imagination through the dynamic feeling of life’

15:00 – 15:30 Discussion (Chair: Francisco Lisboa)

15:30 – 15:45

Break

15:45 – 17:15

Session Three

15:45 – 16:15 Lyra Ekström Lindbäck (University of Pardubice), ‘The Non-Conceptuality of the Aesthetic Judgement and the Conceptual Art of Literature’

16:15 – 16:45 Rachel Siow Robertson (University of Cambridge / The Faraday Institute for Science and Religion), ‘Kant on Embodiment and Aesthetic Appreciation’

16:45 – 17:15 Discussion (Chair: João Lemos)

17:15 – 17:30

Break

17:30 – 19:00

Session Four

17:30 – 18:00 Saniye Vatansever (Bilkent University), ‘The Cognitive Basis of Disinterested Pleasure in Kant: How and Why Works of Art Help with Mental Growth’

18:00 – 18:30 Lou Agosta (Ross Medical University), ‘A Rumor of Empathy in Kant’s Aesthetics and Critique of Judgment’

18:30 – 19:00 Discussion (Chair: Francisco Maia)

05/04/2022

09:00 – 10:30

Session One

09:00 – 09:30 Moran Godess-Riccitelli (Bar-Ilan University / University of Potsdam), ‘The Figurative Language of Nature. How to Represent Natural Beauty as Meaningful?’

09:30 – 10:00, Aviv Reiter (Humboldt-Universität zu Berlin) & Ido Geiger (Ben-Gurion University of the Negev), ‘Kant’s Analytic of the Beautiful and the Question of its Application to Fine Art’

10:00 – 10:30 Discussion (Chair: João Lemos)

10:30 – 10:45

Break

10:45 – 12:15

Session Two

10:45 – 11:15 Tiago Sousa (University of Minho), ‘Is Kant a musical formalist? The problematic relationship between form, representation and expression in the Kantian musical aesthetic judgment’

11:15 – 11:45 João Lemos (Nova University of Lisbon), ‘Unpacking 5: 327 using Kant’s lectures’

11:45 – 12:15 Discussion (Chair: Rachel Siow Robertson)

12:15 – 13:30

Lunch

13:30 – 15:00

Session Three

13:30 – 14:00 Elena Romano (Freie Universität Berlin), ‘Can everything be beautiful? A Kantian puzzle’

14:00 – 14:30 Larissa Berger (Hannover Institute for Philosophical Research / Massachusetts Institute of Technology), ‘Why there must be a Kantian conception of ugliness, and why there cannot be one’

14:30 – 15:00 Discussion (Chair: Francisco Lisboa)

15:00 – 15:15

Break

15:15 – 16:45

Session Four

15:15 – 15:45 Fernando Silva (University of Lisbon), ‘“All inventions are the offspring of poetry”. Kant on the singularity of imaginative creation’

15:45 – 16:15 Júlia Vernet (University of Barcelona), ‘The Gemüt in the third Critique of Kant as a key to understand the relation between imagination and freedom’

16:15 – 16:45 Discussion (Chair: Rachel Siow Robertson)

16:45 – 17:00

Break

17:00 – 18:30

Session Five

17:00 – 17:30 Inês Salgueiro (University of Coimbra / Nova University of Lisbon), ‘A Kantian Defence of Environmental Concern’

17:30 – 18:00 Semyon Reshenin (University of Tartu), ‘Aesthetic experience as a condition for the moral practice’

18:00 – 18:30 Discussion (Chair: Francisco Maia)

18:30

Closing remarks

João Lemos and Rachel Siow Robertson

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